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I am extremely happy and honoured to announce that I am one of the Jury members of the Prix Ars Electronica 2022 in Computer animation with Peter Burr (US), Rebecca…
Virtual tree, a journey into the trees has been selected as one of the 11 projects hosted by the residency CREASEN. The creasen residency of Laurel Gbenafa, Isabelle…
READY PLAYER / ÉMERGENCES D’UN AUTRE GAMING GLOBAL DIM 06 FÉVRIER 2022 À 16:00 Émergences d’un autre gaming global Dialogue entre Isabelle Arvers (curatrice d’exposition, critique d’art) et…
La commissaire d’exposition Isabelle Arvers poursuit sa recherche art et jeux vidéo à Dakar et revient pour Makery sur le Partcours 2021 de l’art contemporain qui fêtait ses…
Political Games with a Decolonial Perspective Speaker: Isabelle Arvers (FR) Isabelle Arvers is a French artist and curator whose research focuses on the interaction between art and video…
Really happy to be invited by Marie Chastel, to talk about Digital Art & Games Decolonization at Kikk Festival in Namur The Art Game World Tour project, started…
Really happy to be part of the VRAL.org publication with my artwork Mer Rose Claire, Edited by Matteo Bittanti and Gemma Fantacci Release date: August 6 2021 Series: GAME…
Sam. 2/10/21 14h-15h30 – Rencontre | “Gaming postcolonial : décolonisation de l’art numérique et des jeux ” Afrique is / in the future PointCulture Bruxelles – Rencontre avec…
With my NPO Kareron, I am the co-producer of UKI a Sci-fi Alt Reality cinema by Shu Lea Cheang with Jorgen Brüning. We decided to demistify the production…
Focus Machinima dans l’émission Court-Circuit d’Arte, Isabelle Arvers interviewée par Annick Rivoire
En Juin 2021, j’ai eu la joie d’être interviewée par Annick Rivoire pour l’émission Court-Circuit d’Arte au sujet des machinimas. Après avoir rappelé d’où le terme provient et…
Really to annonce that my abstract machinima Mer Rose Claire is exhibited at EXIS 18th Experimental Film and Video Festival in Seoul, South Korea in the Now Choice…
This summer, I had the pelasure to present my research on Art and Games Decolonization at ACM SIGGRAPH as a speaker for Digital Arts: Digital Power – Intersectional…
Painting at the Slave steps where the banian tree took over the space and the former detention camp
UKI by Shu Lea Cheang, a co-production Shu Lea Cheang, Kareron & Jürgen Brüning Filmproduktion UKI the new feature by Shu Lea Cheang, a scifi viral alt-reality cinema in…
Between looks: art and algorithm – future of the past – I am invited by Rejane Cantoni to talk about my curatorial practice at the Itau Cultural School…
I met randomly Saki Wakita because I had a torticolis and she came to my place to make me a reiki session. We became friends and she came…